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Guitar Styles:
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UNDERSTANDING JAZZ HARMONY
Analysis of the II V I Progression: |
Andrew discusses this chord movement strategy in detail in this first video on the chord movement of the popular, "II," "V," "I," jazz chord progression. An excellent book I would highly recommend on this topic is; The Jazz Theory Book, by Mark Levine. It is a solid resource for all improvising musicians regardless of instrument or stylistic direction. |
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UNDERSTANDING JAZZ HARMONY
Developing Lines for the II, V, I Progression: MAJOR: The II chord in Major key jazz turnarounds is "Minor 7th." The V chord is "Dominant 7th." By performing the Dorian Mode off of the root of the two-chord we can achieve a solid selection of tones for covering these changes. Another option is covering the changes with arpeggios. |
MINOR: In minor keys we see a II chord showing up as "Minor 7 (b5)" and the V chord being "Dominant 7th." In this tonality we can cover these changes with the "Harmonic Minor" scale built off of the root of the "I" which we resolve toward. As with the Major key "II - V" we may also cover these chords with the appropriate arpeggios. An excellent video I would highly suggest on this subject is by, "Jimmy Bruno." It is called; No Nonsense Jazz Guitar. |
The PDF document below contains a handout with all of the II - V Licks from the video. To Download > Left Click > Save |



